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WHEN PAINTING IS MORE THAN JUST PAINTING, BUT A CONVERSATION WITH A SELF ONCE LEFT BEHIND, ‘PEDRO TEACH ME HOW TO PAINT’ BY UNCHALEE ANANTAWAT IS NOT JUST AN EXHIBITION, BUT A SPACE WHERE SHE CAN REDISCOVER HER PAST SELF
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OBSERVING THE LIFE OF AN ARCHITECT THROUGH THE STORY OF HAJIMI IN BRAND NEW LANDSCAPE BY YUIGA DANZUKA, WHERE ‘THE WORLD OF ARCHITECTURE IS NOT AN EASY ONE TO SURVIVE’ Read More
JOIN FOUR SPEAKERS FROM THE PERFORMING ARTS FIELD IN EXPLORING HOW AI IS RESHAPING THE RELATIONSHIP BETWEEN ART, COMMUNITY, AND LEADERSHIP AT THE HONG KONG INTERNATIONAL CULTURAL SUMMIT Read More
SLOWLY READ THE THOUSANDS OF STORIES OF ARAYA RASDJARMREARNSOOK IN ‘ARAYA RASDJARMREARNSOOK: TEXTUALLY’
A SOLO EXHIBITION FROM LEE BUL, INTERROGATING THE DEFINITIONS AND VALUES OF DIFFERENT ERAS, THE NOTION OF PROGRESS, AND THE CYBORG Read More
EXPLORE ART BASEL HONG KONG 2026, HONG KONG’S NEXT STEP TO TRANSFORM ART SPACES, FROM GALLERIES TO MUSEUMS, INTO PLACES THAT ARE TRULY FOR EVERYONE
SELECTED HIGHLIGHTS FROM THAILAND BIENNALE, PHUKET 2025: EXPLORING ‘ETERNAL KALPA’ THROUGH HISTORICAL TRACES AND PHUKET’S PROVINCIAL IDENTITY
ENCOUNTER THE SCENE OF ‘DUST,’ THE BORDERLESS SLOW-MOTION COLLAPSE, THROUGH THE ‘BLUEPRINT OF THE APOCALYPSE’ BY KHAN NATHI, WHO CAPTURES A PART OF THE DUST IN THE AIR AND TRANSFORMS IT INTO ART
TO DWELL, TO EXIST, EXPLORING ABSALON’S ‘CELLS’ AND THE ARCHITECTURE OF SOLITUDE IN DESCRIPTION WITHOUT PLACE Read More
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