LA CASA DEL DESIERTO | GUARDIAN GLASS
AMONG THE EXTREME HEAT OF GORAFE DESERT, LA CASA DEL DESIERTO DESIGNED BY OFIS ARCHITECTS IS CONCEIVED INTO PROMINENT ARCHITECTURE BY USING SUNGUARD EXTRASELECTIVE SUPERNEUTRAL 60 (SNX 60) AND CLIMAGUARD® PREMIUM2 WHICH CONTRIBUTE TEMPERATURE CONTROL AND ALLOW NATURAL LIGHT INTO INTERIOR SPACE
PHOTO: PURIN CHAWARATTANAWONG
(For Thai, press here)
WHO
Buddhaandz
WHAT
A modern art studio inspired by Buddhist mythologies, expressed using various combinations of old and new techniques to cultivate an appreciation in both art and Buddhism.
WHEN
It started with a senior project while I was studying Material and Context base at the Faculty of Architec-ture’s Department of Industrial Design, Chulalongkorn University. The project I did was a continuation of my experimentation on materiality with the help of Assitant Professor Dr. Takerng Pattanopas, Assistant Professor Pim Sudhikam and Assitant Professor Dr. Juthamas Tangsantikul. The work was first shared on my personal social media account and the feedback was quite good so I decided to carry on with the de-velopment.
WHERE
I work at home and at temples at times (when I want to focus on my thoughts) and there may be exhibitions happening in the future.
WHY
Buddhism has always been an integral part of my subconscious since I was young. It has always been a part of the environment I grew up in. I was lucky enough to be able to go to a Sunday Buddhist school when I was a kid. My friends would talk about Conan the Japanese comic and I would picture images of a Chadok tale from the Bhuddha’s teaching, Conandhawisan, in my head.
Then I started to watch a lot YouTube videos and felt inspired by many content creators so I would read the books they recommended and apply what I read to my work. My dad is an avid amulet collector but I wasn’t all that into the conventional stuff. I like art toys. So, the idea of mixing that with Buddhism sort of gives birth to this work that I’m doing.
How would you define creativity?
It’s an application of existing objects and know-how into the development of something useful. It’s some-thing that allows me to practice and learn. At the same time, the creative process helps me meditate and prepare myself to handle changes because once the production process takes place, the reality will be dif-ferent from what you envision in your head. The important thing you can do is to control your emotions at all times because it affects how your work turns out.
Describe your practice in three words?
Dharma l pop culture l ancient processes (it’s like how there’s a specific type of ice cream made with this so-called traditional process but nobody really knows for sure what ‘traditional’ really is).
Where do you go? or what do you do when you get stuck on a project?
When I’m stuck with my thoughts, I would go do something entirely different from the work I was doing. If I want to keep my creative flow, I have to go take a walk outside and take time to observe my surroundings. Listening to hip-hop music helps tremendously with my creative process. Going to temples to make merits also helps me creatively. If I’m too lazy to walk, I would read. I read poetry sometimes. Ideas usually come when I let my mind wander and I would write them down. When there’s a project that comes along, I would match it with one of those ideas.
What project are you most proud of?
The Still Buddha and Cloud Robe. It was magical when I found this part of the Buddha sculpture and it was like I saw this vision of this wave and that I was supposed to create it into a sculpture, and several other works that would follow.
If you could invite any creative out for coffee, who would you choose and why?
Daniel Arsham. I was such a huge fan of him since he wasn’t that very well known but his works have in-spired me so much whether it the actual making process, the thought process, how cool and expensive they are. I was in the Netherlands and saw his works being exhibited with Banksy. Being there and seeing the real thing with my own eyes, I was super impressed. With that work, he played with time and historical objects, and how the present is the past of the future. He signed his signature and dated it a thousand years from now. For example, if it was the year 2022, he would sign 3022. There are actually many crea-tive individuals that I would love to have a drink with because there is so much more for me to learn.
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KARJVIT RIRERMVANICH, EDITOR OF ART4D, INQUIRES INTO THE UNIQUE ASPECT OF MIRROR WHICH IS BOTH VISIBLE AND TRANSPARENT, TANGIBLE AND INTANGIBLE, DEFINITE AND ELUSIVE
WOODDEN COOPERATES WITH PHTAA LIVING DESIGN REIMAGINES AND EXPAND THE POTENTIAL OF TEAK WOOD, A MATERIAL WHICH BEEN A PART OF THAI ARCHITECTURE FROM PAST TO PRESENT, THROUGH EXHIBITION BOOTH AT ARCHITECT ’22
ROYAL PROJECT FOUNDATION | GUARDIAN GLASS
THE AGRICULTURAL RESEARCH AND DEVELOPMENT CENTER OF THE ROYAL PROJECT FOUNDATION IS DESIGNED TO INCORPORATE THE LANNA STYLE INTO THE NEW CONTEXT. USING GUARDIAN GLASS MATERIAL FOR BUILDING’S EFFICIENCY. IN ADDITION TO REPRESENTING THE BUILDING’S CHARACTERISTICS AND THE BUILDING’S IMAGE
APART FROM THE DISTINCTIVE OLD LOG FAÇADE, GOOD CYCLE BUILDING FROM ASANUMA CORPORATION AND NORI ARCHITECTS IS OUTSTANDING WITH ITS EXTENSIVE ECO-FRIENDLY DESIGN PROCESS, FROM RESOURCE-EFFICIENT CONSTRUCTION TO THE INGENIOUS APPLICATION OF SOIL AS ARCHITECTURAL ELEMENTS
ART4D SPEAKS TO ENTER PROJECTS ASIA ABOUT THE STUDIO’S DESIGN APPROACH IN THE INTEGRATION OF RATTAN AND MODERN TOOLS AND TECHNOLOGIES, PAVING A NEW WAY OF USING LOCAL MATERIAL IN CONTEMPORARY DESIGN
ELBPHILHARMONIE HAMBURG: FAÇADE DETAILS | GUARDIAN GLASS
AFTER WALKING THROUGH THE DESIGN CONCEPT OF ELBPHILHARMONIE HAMBURG IN A PREVIOUS ARTICLE, THIS TIME WE DELVE INTO THE DETAILS OF THE BUILDING’S GLASS FAÇADE FROM GUARDIAN EXTRACLEAR®, GUARDIAN CLIMAGUARD®, AND GUARDIAN SUNGUARD® WHICH CREATES A DYNAMIC SHAPE SIMILAR TO NATURAL WAVES AND NEARBY HARBOR
TEXT: WARUT DUANGKAEWKART
PHOTO: CORDELIA EWERTH
(For Thai, press here)
The unusual-looking curved glass facade seems to be what people remember the most about Elbphilharmonie Hamburg, the project where Herzog & de Meuron transforms an old warehouse into a new landmark of the city of Hamburg. The place houses a variety of activities and establishments, from music hall, restaurants, bars, to an apartment and a hotel.
The natural attributes of rippled waves inspire the glass facade with three-dimensional form and details. With a surface area of over 21,800 square meters, the undulating surface occupies more than 5,000 square meters. The finished work is the result of the collaborative effort between the design team and Guardian Glass. The significance of the facade’s unprecedented design at the time is more than just the striking physical appearance but its ability to maintain the highest level of efficiency and quality, from strength, safety and the reduction of interior temperature.
The three-layer safety glass are bent and assembled into the designed form, delivering both aesthetically appealing appearance and functional efficiency. Despite being bent into curved form, the glass from high quality manufacturing process still keeps the functional qualities of Low-E surface coating, which enhances heat control.
The glass used with the architecture of Elbphilharmonie Hamburg ranges from Guardian ExtraClear®, a transparent flat glass, which is used as the principal material for its transparency. Guardian ClimaGuard® DT, the heat insulation glass, offers high durability with efficient control of interior temperature. Guardian SunGuard® Solar Light Blue 52 is used for it is able to control the amount of sunlight from coming into the building while still maintaining a nice presence of natural light with 47% Visible Light Transmission (VLT) that filter heat transmission down to only 36%, enabling efficient temperature control and less indoor air conditioning usage.
The technologies developed and incorporated for the construction of Elbphilharmonie Hamburg building allow us to see new possibilities of how glass can be used in architectural design. With the right integration of design, and bodies of knowledge surrounding materials and manufacturing processes, one can see how the potential and landscape of architectural design and construction have been and will be broadened.
Revisited a Elbphilharmonie Hamburg previous article at
For further information you can contact our experts, by visiting us at:
Official Website / https://www.guardianglass.com/ap/en
Official Facebook / https://www.facebook.com/guardianglassap
Email / guardiansupport@guardian.com
KUNGWANSIRI TEJAVANIJA FROM PBM DESIGN STUDIO ILLUSTRATES TO US A STORY OF ‘GLASS’, WHICH IS MORE THAN A TRANSPARENT MATERIAL BUT AN INCREDIBLE INVENTION THAT CAN POTENTIALLY DEMOLISH EVERY CONSTRAINT IN DESIGN, AND ENABLE WHAT WE HAVE ENVISIONED FOR THE FUTURE OF ARCHITECTURE TO COME INTO BEING
VASU VIRAJSILP, THE FOUNDER OF THE ARCHITECTURE STUDIO VASLAB, EXPRESSES HIS SIGNATURE AND UNIQUE DESIGN IN ‘SLABTITUDE’, A NEW-COMING CAFÉ CHARACTERIZED BY DYNAMIC FORMS, THE COMBINATION OF CONCRETE AND WOOD, AND A DISTINCTIVE LONG WOODEN TABLE IN THE CENTER WHICH IS AS IF IT WERE MIRACULOUSLY FLOATING ON AIR
