EKAPHAP DUANGKAEW, DIRECTOR OF EKAR, SPEAKS TO KARJVIT RIRERMVANICH, ART4D EDITOR, IN THIS FIRST EPISODE FROM FORMICA TALK SERIES 2022 ABOUT ‘TRUTH TO MATERIALS’ PRINCIPLE WHICH IS PROBABLY NO LONGER APPLICABLE TO ARCHITECTURAL DESIGN NOWADAYS
LATEST COLLECTION FROM KOHLER WHICH TRANSFORMS SHOWERING INTO A NEW EXPERIENCE WHERE ONE CANNOT ONLY RELAX BUT BE ARTISTICALLY DRIVEN AND INSPIRE
THE JAPANESE ARCHITECT NAOSHI KONDO EXPERIMENTS WITH HOW THE OLD BUILDING AND THE NEW BUILDING, CONCRETE AND TIMBER, PAST AND PRESENT COEXIST BY BURYING THE OLD TIMBER HOUSE INTO THE CONCRETE MASS
OFFICE BUILDING 02 | GUARDIAN GLASS
IN CONTINUATION TO OUR PREVIOUS ARTICLE, ANOTHER THREE BUILDINGS WILL BE CITED FOR THEIR OUTSTANDING APPLICATIONS OF GLASS TO THE DESIGNS OF THEIR FAÇADES. IN ADDITION TO THE AESTHETIC MERITS, THE MATERIAL ALSO OFFERS OUTSTANDING PHYSICAL QUALITIES THAT ENHANCE ENERGY SAVING EFFICIENCY OF INTERIOR FUNCTIONAL SPACES
A HOUSE THAT TURNS AN EXISTING TREE INTO A PART OF ITS OWN. JUST TO ANSWER THE QUESTION ‘HOW CAN ARCHITECTURE LIVE WITH THE EXISTING ENVIRONMENT?
LIVING WITH THE GLASS | GUARDIAN GLASS
EXAMINE THE THREE HOUSES IN THREE COUNTRIES THAT USE GUARDIAN GLASS FOR CATERING TO VARIOUS PURPOSES, WHETHER IT BE ACCESSING THE OUTSIDE VIEW, ENHANCING NATURAL VENTILATION, OR LESSENING THE INTENSITY OF HEAT AND NATURAL LIGHT IN ORDER TO CREATE A COMFORTABLE SPACE FOR DWELLERS
WARA JITHPRATUCK FROM PLAN ARCHITECT INVITES US TO CONTEMPLATE THE FULLEST POTENTIAL OF GLASS AND SURPASS ITS SUPERFICIAL CHARACTERISTICS. COME UP WITH A SUITABLE DESIGN ALONG WITH THIS MATERIAL IN THE TROPICAL ARCHITECTURE OF THAILAND.
OFFICE BUILDING 01 | GUARDIAN GLASS
EXPLORE THE USE OF GUARDIAN GLASS IN LEADING OFFICE BUILDINGS AS A MATERIAL CATERS TO FUNCTIONALITY AND REFLECTS THE VISION OF ITS OWNER OR ORGANIZATION IT REPRESENTS
KULTHIDA SONGKITTIPAKDEE FROM HAS DESIGN AND RESEARCH REINTERPRETS THE TRANSPARENCY OF SPACE AND MATERIALS AS TOOLS TO DEVELOP AN UNBOUND, MYSTERIOUS, AND INFINITE PERCEPTION TOWARDS ARCHITECTURE
TONKAO PANIN INTRODUCES ARRHOV FRICK, AN ARCHITECTURE PRACTICE FROM SWEDEN WHOSE WORKS ARE DISSOCIATED FROM ‘AESTHETIC MANIPULATION’, PRESENTING STRAIGHTFORWARD ARCHITECTURE BASED ON STRUCTURAL AND CONSTRUCTION LOGIC
