RICHARD ROGERS: TALKING BUILDINGS
Category: ARTICLE
(UNDER) THE SPELL
BREAKING CHAINS, CLAIMING FREEDOM: AS THE STATE TURNS WORDS INTO SILENCE, HTEIN LIN’S EK KHA YA SPELLS THEM ANEW
AS THE WATER MOVES
EXPLORING MYTH, CARNALITY, AND DECAY THROUGH MICHAEL SHAOWANASAI’S EXHIBITION ‘G’SEIN’
DREAMING THROUGH TOXIC REMAINS – THE FUTURE WE OWE
AS THE PAST NEVER FADES AND THE FUTURE REMAINS UNCERTAIN, THASNAI USES ART TO QUESTION THE LINGERING AUTHORITARIANISM OF POST-WAR TIMES IN THE EXHIBITION ‘TOXIC REMAINS: PARASITES OF A BETRAYED DREAM’
NON-BELIEF AS RESILIENCE
‘NON-BELIEF: TAIWAN INTELLIGENS OF PRECARITY’, A TAIWANESE EXHIBITION AT THE VENICE BIENNALE 2025, PROMOTES THE CONCEPT OF ‘NON-BELIEF’ AND SUGGESTS THAT ARCHITECTURE DOES NOT HAVE TO START FROM STABILITY
RETHINKING ARCHITECTURE: INTELLIGENCE, CLIMATE, AND MEMORY
SUBHEADVENICE ARCHITECTURE BIENNALE 2025 BROUGHT GLOBAL CRISES UNDER CLOSE SCRUTINY. AS ARCHITECTURE IS NOT SOLELY A FORM OR STRUCTURE, BUT A ‘COLLECTIVE INTELLIGENCE’ THAT CAN CRUCIALLY CRITIQUE, HEAL, AND GROW WITH THE WORLD
EXPO 1970 / 2025 – OSAKA – FIVE DECADES OF PROGRESS
REWIND TO WORLD EXPO 1970 TO A NEW LEVEL OF GRANDEUR AT WORLD EXPO 2025 IN JAPAN, PREPARING TO REVIVE THE INNOVATION STAGE ONCE AGAIN
AI IS RISING. HOW DO ARTISTS SURVIVE?
AI OR ARTIFICIAL INTELLIGENCE SENDS A THRILL TO EVERYONE WITH ITS GIANT LEAP IN DEVELOPMENT. IS IT A TOOL TO REVOLUTIONIZE OR DESTROY THE ART WORLD?
ALL-GENDER RESTROOM
DELVE INTO THE IDEA OF AN ALL-GENDER RESTROOM AND EXPLORE THE INTERESTING PROTOTYPE OF THIS RESTROOM
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BANYUWANGI INTERNATIONAL AIRPORT
THE INDONESIAN ARCHITECTURE FIRM ‘ANDRAMATIN’ DESIGNS THE AIRPORT IN BANYUWANGI, INDONESIA WITH A FOCUS ON AFFORDABILITY, SUSTAINABILITY, SIMPLICITY, FUNCTIONALITY, AND RETAINING THE PHILOSOPHY OF INDONESIA’S TROPICAL ARCHITECTURE