Category: MAGAZINE
ART SG 2024
ART SG, THE INTERNATIONAL CONTEMPORARY ART FAIR IN APAC IS AROUND THE CORNER. THE FAIR WILL FEATURE 116 EXCEPTIONAL GALLERIES FROM 33 COUNTRIES FROM 19 – 21 JANUARY 2023
THIS IS MY VOICE ONE DAY IN THAILAND
TEXT & IMAGE: PIRUTCH MOMEEPHET
(For Thai, press here)
This series of works arose from an idea and curiosity about the excitement one feels while traveling to a different country, a province, or even a new location. It tends to be difficult to pinpoint the precise reason for the pleasure or exhilarating feeling that people have when they visit different places. It’s presumably how all these new experiences we have all at once combine into a certain “mood” or “vibe.” There are times when one doesn’t even question whether such excitement stems from experiencing something truly new or whether it’s their own perception that makes something feel new despite the fact that it may not be.
If we are able to observe things from such a mentality or perspective, perhaps the things or locations that impress us do not have to be iconic or anything suggested or validated by others. It could be anyplace. It might be a location we walk past every morning or a building we see on the side of the road while stuck in traffic.
This work is an imagination of a person’s first impressions of Thailand. If we can see these sites from this point of view, then the question is, what is it that actually excites us?
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Pirutch Momeephet : BBep.o (bep – po) is a Graphic Designer based in Bangkok, Thailand, who is Interested in Retro, Citypop Art Style and Contemporary architecture.
ATOUR VILLAGE PUBLIC RESTROOM
GET TO KNOW THE PUBLIC RESTROOM IN ATOUR VILLAGE IN CHINA’S EASTERN SHANDONG PROVINCE BY GN ARCHITECTS WHICH PROVIDES ALL OF THE NECESSARY FUNCTIONS WHILE SEAMLESSLY INTEGRATES INTO THE COMPLEX
PYRAMID KPM
PAKORN MAHAPANT COMBINES FAITH AND DESIGN PRINCIPLES, RESULTING IN THE PYRAMID-SHAPED BUILDING THAT ACTS AS THE PLACE TO HEAL PEOPLE’S BODIES AND MINDS IN THE KHAMPRAMONG TEMPLE, SAKON NAKHON
NIKKEN SEKKEI INTERNATIONAL SEMINAR
NIKKEN SEKKEI THAILAND CELEBRATED THE FIFTH ANNIVERSARY BY HOLDING A SEMINAR TO EXCHANGE IDEAS OF URBAN DEVELOPMENT BETWEEN THAILAND AND JAPAN
GOLDEN PIN DESIGN AWARD 2023
EXPLORES SOME OF THE BEST DESIGN AWARD WINNERS’ WORKS IN GOLDEN PIN DESIGN AWARD 2023 WHICH REFLECTS THE INCREDIBLE GROWTH OF ASIA AND TAIWAN’S DESIGN INDUSTRIES
THE ALPHABETICAL ROOM
TEXT: LIAD SHADMI
PHOTO: LIAD SHADMI & MICHAEL KOHLS
(For Thai, press here)
The project ‘The Alphabetical Room’ is a systematic exploration of the boundaries and limits of writing within a strictly calculated mathematical three-dimensional grid within a flat digital space. Engaging with the three-dimensional grid in a two-dimensional digital space has always been an intriguing matter for graphic designers, programmers, creative coders, and visual artists.
Starting from Josef-Müller Brockmann’s grid proposal for the design of interior spaces in 1961, the perspective of the viewer changes throughout the pages of the leaflet as does the resolution of the three-dimensional grids in which the hypothetical letterforms are displayed.
Also, I would like to thank Prof. Pierre Pané-Farré for guiding this project.
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Liad Shadmi is a freelance Graphic Designer and Art Director based in Hamburg. He graduated with honors from Shenkar College of Engineering & Design, one of the leading design schools in Israel. Liad specializes in Graphic Design, Brand Identity, Art Direction, Type Design, Print & Layout, and Web Design, with a strong emphasis on Typography in his work. He is passionate about researching design, particularly vernacular design, and believes that design should be rooted in deep and meaningful research. Liad strives to combine heritage and classic attributes with contemporary virtues.