MARTIN CONSTABLE PRESENTS IMAGES OF EMPTY SPACES THAT HAVE BECOME THE LANGUAGE OF HIS MEMORIES AND PERSONAL HISTORY THROUGH ‘WHAT CANNOT BE FORGOTTEN, MUST BE CELEBRATED’
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AS A COUNTRY WHERE LAND AND RESOURCES ARE SCARCE, SINGAPORE HAS CHOSEN ‘DESIGN’ AS ITS FOUNDATION, AND TELLS THIS STORY THROUGH THE ‘UNNATURAL HISTORY MUSEUM OF SINGAPORE’ EXHIBITION
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‘RICHARD ROGERS: TALKING BUILDINGS,’ AN EXHIBITION FEATURING THE WORK OF RICHARD ROGERS, THE ARCHITECT WHO DEFINED PUBLIC ARCHITECTURE, CONVEYS THE SPIRIT OF DESIGN FOR PEOPLE THROUGH INSTALLATIONS BY RSHP ARCHITECTS
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CONSTELLATION OF COMPLICITY, AN EXHIBITION CONNECTING THE VOICES OF DISPLACED AND ANTI-AUTHORITARIAN VOICES FROM AROUND THE WORLD TO THE HEART OF BANGKOK
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HO RUI AN AND SUNG TIEU INVITE VIEWERS TO EXPLORE THE LINGERING TRACES OF ‘RIGHT’ FROM COLD WAR MEDIA THAT REMAIN EMBEDDED IN CONTEMPORARY SOCIETY
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BREAKING CHAINS, CLAIMING FREEDOM: AS THE STATE TURNS WORDS INTO SILENCE, HTEIN LIN’S EK KHA YA SPELLS THEM ANEW
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EXPLORE THE WORLD OF LIGHT INNOVATION AT GILE 2025, WHICH COMBINES TECHNOLOGY AND SPACE DESIGN FOR A BETTER QUALITY OF LIFE ACROSS 250,000 SQUARE METERS
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EXPLORING MYTH, CARNALITY, AND DECAY THROUGH MICHAEL SHAOWANASAI’S EXHIBITION ‘G’SEIN’
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THE EXHIBITION BY PRATCHAYA PHINTHONG HAD DISMANTLED BANGKOK CITYCITY GALLERY’S ‘WHITE CUBE’ LOOK. THE BUILDING IS STILL A GALLERY, BUT ITS VERY CLAIM TO BE AN ART SPACE WAS STRIPPED Read More
‘NON-BELIEF: TAIWAN INTELLIGENS OF PRECARITY’, A TAIWANESE EXHIBITION AT THE VENICE BIENNALE 2025, PROMOTES THE CONCEPT OF ‘NON-BELIEF’ AND SUGGESTS THAT ARCHITECTURE DOES NOT HAVE TO START FROM STABILITY
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