MUSEUM 02 | GUARDIAN GLASS
EXPLORE THREE EXAMPLES OF MUSEUM DESIGNS THAT USE GLASS TO BRING VIEWERS, CURATED SPACES, AND OBJECTS TOGETHER WHILE ALSO MEETING THE AESTHETIC AND SECURITY REQUIREMENTS THAT EVERY MUSEUM REQUIRES
MUSEUM 01 | GUARDIAN GLASS
WHEN IT COMES TO MUSEUMS, IMPRESSIVE SPACES, FORM, AND LIGHTING QUALITY ARE ALL INCORPORATED IN ACCOMPANYING WORKS OF ART OR OBJECTS IN WHICH THEY EXHIBIT. ACCORDINGLY, MATERIALS SUCH AS GLASS THAT CAN MEET THE BUILDING NEED ARE BECOMING AN IMPORTANT MATERIAL THAT APPEARS IN THE WORLD’S LEADING MUSEUMS
MAINCOURSE CONCEIVES THE HOUSE WITH A GALLERY-LIKE SPACE WHERE THE OWNER’S ART PIECES AND COLLECTIBLES BECOME A PART OF THE BUILDING
ORIENTAL STUDIO UTILISES THE INTERIOR DESIGN TO EMPHASISE THE QUINTESSENTIAL CHARACTER OF EACH MERCEDEZ-BENZ CAR MODEL AND THE CONCEPT OF ‘TOPOGRAPHY AND SKY’ THAT REFLECTS THE BRAND’S IDENTITY
DESIGNED BY IDIN ARCHITECTS AND TROP : TERRAINS + OPEN SPACE, THIS CAFÉ IS AN INSEPARABLE FUSION OF ARCHITECTURE AND LANDSCAPE. WITH THE PERFECT BACKDROP OF TREE SHADE, IT IS A PLACE WHERE PEOPLE COULD FOCUS ON THE DELICATE CUP OF COFFEE
OFFICE 03 | GUARDIAN GLASS
EXPLORE WHY THE LEADING OFFICE BUILDING USED ‘GLASS’ TO EMPHASIZE THE SIGNIFICANCE OF THE ENTRANCE HALL AS A PLACE FOR VISITORS’ FIRST IMPRESSION
ABIE ABDILLAH, INDONESIAN FURNITURE DESIGNER FROM STUDIO HIJI, COMBINES INDONESIAN CRAFT WITH AMERICAN HARDWOOD TO CREATE AN CONTEMPORARY FURNITURE DESIGN WITH A LOCAL VALUE
IN THIS YEAR’S LAST EPISODE OF FORMICA TALK SERIES, CHARIF LONA FROM STUDIO ACT OF KINDNESS SPEAKS TO KARJVIT RIRERMVANICH, ART4D EDITOR, ABOUT THE INSPIRATION AND THE APPLICATION OF SURFACE MATERIALS WHICH CONTINUOUSLY STANDS OUT IN HIS WORKS Read More
IT SEEMS LIKE HUMANS ARE COVERTLY PROPELLED BY STORIES WE HAVE BEEN MADE UP OF: GOD, DEMOCRACY, OR CAPITALISM. ARIN RUNGJANG REVISITS FICTION AND POWERS THAT SHAPE HUMAN SOCIETY INTO WHAT IT IS WITH HIS ARTWORKS
