UNDER THE CONSTRAINT FROM LIMITED SPACE, ASWA (ARCHITECTURAL STUDIO OF WORK – AHOLIC) HAS TURNED A 100-SQUARE-METER PARKING LOT IN SOI AREE INTO THE COMPACT YET FUNCTIONAL OFFICE WITH A SMALL COURTYARD THAT BRINGS NATURAL LIGHT AND VITALITY INTO THIS BLACK BOX ARCHITECTURE
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THE EPILOGUE OF THE STUDY OF FRONT PALACE (WANG NA) WHERE CURATORIAL TEAM LED BY NATHALIE BOUTIN, SIRIKITIYA JENSEN AND MARY PANSANGA UTILISES THE ISSARA WINITCHAI THRONE HALL, NATIONAL MUSEUM, AS A CONTEMPORARY ART SPACE
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BOOST YOUR ENERGY AND GET READY TO SWEAT YOUR BODY OUT AT THIS FITNESS COMPLEX
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IN THIS BOOK, ERIC R. KANDEL SEEKS TO HIGHLIGHT THE WAY TO BRIDGE THE APPARENT DISTANCE BETWEEN THE TWO DISCIPLINES, “ART” AND “SCIENCE”
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WHY ARE HAND, CHANG (CRAFTSMAN IN THAI), AND THE WORD ‘MAKE’ SO IMPORTANT TO THE DESIGN PROCESS OF STUDIOMAKE? LET’S FIND OUT IN THIS CONVERSATION WITH ITS CO-FOUNDER
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AFTER THE LAUNCH OF THE NEW LOGO FOR THAIRATH’S ONLINE CHANNEL, A NUMBER OF PEOPLE START TO COMMENT ON ITS AMBIGUOUS FORM. NO MATTER HOW GOOD OR BAD IT LOOKS LIKE, HOWEVER, ITS BUSINESS ACHIEVEMENT WILL TELL
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IN HER BOOK, SUSAN SONTAG RAISES INTRIGUING ISSUES ABOUT THE DEPICTION OF VIOLENCE IN THE NEWS. A POINT THAT SEEMS ESPECIALLY RELEVANT IS SONTAG’S ADVICE FOR WHEN WE CONFRONT IMAGES OF VIOLENCE, THAT IS, TO THINK AND REFLECT RATHER THAN SIMPLY TO FEEL AND DO NOTHING
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LET US INTRODUCE YOU TO THE TEXTILE DESIGNER WHO TRIES TO SHRINK THE GAP BETWEEN DESIGNERS AND ARTISANS
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CO-CURATED BY MARTIN RENDEL, PIBOON AMORNJIRAPORN OF PLURAL DESIGN, AND THE AUTHOR OF VERY THAI, PHILIP CORNWEL-SMITH, ‘INVISIBLE THINGS’ INTRODUCES US THE STEREOTYPICAL IMAGES OF AND THE TRUTH BEHIND LIFESTYLE AND CHARACTERISTICS OF THE THAIS AND GERMANS THROUGH A SELECTION OF MUNDANE OBJECTS WE ENCOUNTER EVERYDAY
AS WELL AS SUPPORTING AND CELEBRATING THE LGBTQ+ COMMUNITY, WE SPENT PRIDE MONTH REVISITING THE WORKS OF TWO QUEER WRITERS WHO CHANGED THE FACE OF CONVERSATION ABOUT PHOTOGRAPHY: ROLAND BARTHES AND HERVÉ GUIBERT Read More
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