Category: MAGAZINE

WHITE, WASHED, AND WEEVILS

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‘WEEVIL IN RICE,’ AN EXHIBITION BY KANOKWAN SUTTHANG, TAKES US BACK TO THE PROCESS OF REMOVING UNWANTED IMPURITIES FROM RICE, FROM THE HOUSEHOLD LEVEL TO THE INDUSTRIAL LEVEL, INVITING QUESTIONS ABOUT THE VALUE OF WHITENESS AND PURITY

PAIYA WINDOW AND DOOR SOLUTION

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PAIYA, A CHINESE BRAND OF ALUMINUM DOOR AND WINDOW SOLUTIONS WITH OVER 30 YEARS OF EXPERIENCE, BRINGS ITS 5A ULTRA-COMFORT INNOVATION AND CSD CONCEPT TO ELEVATE THE QUALITY OF ARCHITECTURAL PROJECTS

ARE WE PAYING TOO MUCH FOR CREATIVE SOFTWARE?

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SUBSCRIPTIONS ARE NOW EVERYWHERE, WITH MONEY SCATTERING IN EVERY DIRECTION. TODAY, CREATIVE WORK NO LONGER BEGINS WITH DESIGN, IT BEGINS WITH PAYING FOR SOFTWARE

VELA BY PODIUM

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GET TO KNOW VELA BY PODIUM — A FURNITURE SET THAT BEGAN WITH A FAMILY HOME AND EVOLVED INTO ACCESSIBLE, FUNCTIONAL PIECES FOR EVERYDAY LIVING, DEVELOPED BY DOTS DESIGN STUDIO AND PODIUM

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GILE 2026

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GILE 2026 INTRODUCES THE ‘CHINA LIGHTING CAPITAL HALL’ TO PRESENT GUZHEN AS THE GLOBAL STAGE’S NEW DESTINATION FOR LIGHTING DESIGN

HEMP CHAIR

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UTILIZING TENSION RATHER THAN NAILS OR BOLTS, VERONICA OLARIU’S HEMP CHAIR ACHIEVES STABILITY THROUGH THE BALANCE OF ROPE, PIVOT, AND A PLANT-BASED COMPOSITE OF HEMP FABRIC AND PINEAPPLE-LEAF FIBRE

CENTRAL PARK BANGKOK

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Photo courtesy of Central Pattana

DISCOVER A NEW STORY OF THE CITY THROUGH CENTRAL PARK BANGKOK, PART OF DUSIT CENTRAL PARK – A DESTINATION DESIGNED TO ENRICH EVERYDAY LIFE WITHIN THE STORIED SILOM – SATHORN DISTRICT Read More

BIOPHILIA UNLOCK

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BIOPHILIA IS MORE THAN AN AESTHETIC TREND OR A STRESS-RELIEF TOOL—IT IS A FUNDAMENTAL SURVIVAL STRATEGY FOR THE 21ST CENTURY

TAIPEI FASHION WEEK (AW26)

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TAIPEI FASHION WEEK (AW26) SERVES AS A PIVOTAL PLATFORM FOR FASHION EXPERIMENTATION IN ASIA, WHERE MATERIALS, INNOVATION, AND LOCAL IDENTITY ARE WOVEN INTO THE LANGUAGE OF GARMENTS

MAIBANTAT DESIGN OFFICE

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BANDIDTAT TOSAYANCHAI, FOUNDER AND ARCHITECT OF MAIBANTAT DESIGN, REPURPOSED SALVAGED MATERIALS FROM HIS FAMILY’S OLD HOUSE TO CONSTRUCT HIS NEW OFFICE, REINVENTING THE TRADITIONAL ‘HALF-WOOD, HALF-CONCRETE HOUSE’

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