CHOMCHON FUSINPAIBOON EXPLORES HOW THAILAND’S NATIONAL IDENTITY IN ARTS AND THE COUNTRY’S MODERNIZATION IN INDUSTRY AND ECONOMY INFLUENCE THE DESIGN OF THAI PAVILIONS AT INTERNATIONAL EXPOSITIONS IN THE 1930S WHICH RAISES THE QUESTION OF WHAT HAS BEEN CHANGED IN 2021
THE JAPAN-BASED ARCHITECTURE FIRM, N O T ARCHITECTS STUDIO, ENWRAPS THE HOUSE WITH THE MAIN WALKWAY AND THE CHAIN-LINK MESH THAT BLENDS THE HOUSE TO ITS NEIGHBORING GARDENS
PHOTO CREDITS AS NOTED
(For Thai, press here)
WHO
HAA STUDIO
WHAT
HAA STUDIO is a small design team established from the members’ shared passion among a group of students from Rajamangala University of Technology Thanyaburi. When the right time came along, the name HAA STUDIO was dusted up and the dreams shared during school days are now being reignited. One of the group members still creates works with a modern style that continues to inspire the younger generation.
ART4D TALKS WITH THE DESIGN TEAM BEHIND THE SUPALAI ICON SATHORN PROJECT ABOUT THEIR INSPIRATION AND THE ORIGIN OF THIS MIXED-USE PROJECT THAT IS GOING TO BE BUILT ON THE PLOT OF LAND WHICH USED TO HOUSE THE AUSTRALIAN EMBASSY
INTRODUCING CERARL, THE NON COMBUSTIBLE PANEL BY AICA, THE LEADER IN SURFACE MATERIALS (LAMINATED SHEET) FROM JAPAN, THAT MEETS FUNCTIONAL AND AESTHETICS NEEDS AND EXPANDS THE CONVENTIONAL LIMITATIONS OF FINISHING MATERIALS
KASHIWA SATO, A JAPANESE ART DIRECTOR WHO IS IN CHARGE OF THE INTERIOR DESIGN AND CREATIVE DIRECTION OF NISSIN FOODS PRODUCTS’ FACTORY’S VISITING PROGRAM, WELCOMES THE FACTORY VISITORS WITH A GIANT NOODLE CUP LID CANOPY
STUDIO ACT OF KINDNESS TRANSFORMED AN OLD HOUSE IN SOI SUKHUMVIT 49/1 INTO A UNIQUE FASHION ITEM SHOP THAT HAS A BOLD AND VISUALLY STRIKING DESIGN WHILE REMINISCENCES OF THE ORIGINAL HOUSE
LET’S EXPLORE THE IDENTITY AND UNCERTAIN FUTURE OF ASIAN WITH THE 8TH ASIAN ART BIENNIAL AT NATIONAL TAIWAN MUSEUM OF FINE ART, TAICHUNG, TAIWAN (ROC)
THE THAI FURNITURE BRAND ‘PODIUM’ LAUNCHES THE 2021-2022 COLLECTION IN COLLABORATION WITH ATELIER 2+ WITH THE CONCEPT “THE TIMELESS DESIGN OF EAST AND WEST”. THE RESULT IS A FURNITURE COLLECTION THAT IS STYLISTICALLY UNIVERSAL YET DISTINCTIVELY ENCAPSULATES THE SPIRIT OF ORIENTAL AESTHETICS
